
All the trademark elements will be there when "60 Minutes II" debuts at 9 tonight on CBS (WBZ Ch.4): the ticking stopwatch, the older-than-average correspondent team, even the humorous essay at the end.
The format of the TV's longest-running newsmagazine wasn't broke, so nobody tried to fix it.
Dan Rather leads the rotation of veteran reporters: CBS foreign correspondent Bob Simon; PBS interview show host Charlie Rose; Vicki Mabrey, from CBS' London bureau; and Carol Marin, formerly of Bryant Gumbel's short-lived "Public Eye" on CBS. Commentaries will come from Boston satirist Jimmy Tingle. Mike Wallace and the other stars of the Sunday night edition will show up on the clone in weekly updates of "classic" stories from the past 30 years.
The opportunity to return to in-depth, investigative reporting was enough to lure 67-year-old Rather back to the heavy travel schedule required for "60 II." In his first piece, airing tonight, Rather interviews Energy Secretary Bill Richardson about nuclear weapons built in Russia and sent to other nations.
"Why am I doing it? I love the news," the anchorman told TV critics gathered at the winter press previews. "I love covering news. I always have. I'll go to my grave loving it. Beyond that, I like to work. But you know, I'm still chasing the dream that I'm going to be a great reporter. And the opportunity to report on a program dedicated to quality is something I jumped at."
Rather will continue anchoring "CBS Nightly News" and hosting "48 Hours," a feat that "60 Minutes II" producer Jeff Fager calls "superhuman."
But Rather promised that he'll try not to "parachute into stories" _ to do the on-camera reporting after producers have done the real legwork. That practice, common among TV newsmagazines, was revealed in the wake of last summer's "CNN Newsstand" debacle.
"When you work on a program such as '60 Minutes,' sometimes you have to 'parachute in.' I don't like the phrase," said Rather. "If you spend a number of weeks on an investigative piece, then you're going to have to pay the price somewhere else. You're going to have to come up with a quick interview you can do in a hotel room in New York or you're going to have to show up somewhere and say to the producer, 'I'm here for six hours. I'll give you everything I've got, but you've got to put some things in my head.' There's no way to avoid it and I'm not going to kid you."
The difference between other news operations and the "60 Minutes" franchise, said Rather, "is we really care about the integrity of what we're doing."
Keeping a close eye on both "60's" is executive producer Don Hewitt, who still screens and critiques every story that runs on "60 Minutes" and will do the same for the second edition. He's known for his perfectionism - and his less-than-subtle comments.
"When the lights went on in the screening room after my first piece for '60 Minutes' was screened," Bob Simon recalled, "Don Hewitt said, 'The woman who you touted as your central character - I hate her. Get her out of the piece."'
Hewitt also told Simon his narration of the story "sounds like you were singing in the shower and got soap in your mouth."
"And that was just the beginning," said Simon. "When it was over, I was wandering through the corridor, looking for a window that opened more than two inches, and a senior producer came up to me and said, 'You know, Bob, that was a really good screening. When the lights go on and nobody says anything, that's when you're in trouble.' My personal wish for '60 Minutes II' is that every time the lights go on, producers will have something to say, even if it's only 'Get the soap out of your mouth."'
Stopwatch and scrutiny begins for crew of '60 Minutes II'.
All the trademark elements will be there when "60 Minutes II" debuts at 9 tonight on CBS (WBZ Ch.4): the ticking stopwatch, the older-than-average correspondent team, even the humorous essay at the end.
The format of the TV's longest-running newsmagazine wasn't broke, so nobody tried to fix it.
Dan Rather leads the rotation of veteran reporters: CBS foreign correspondent Bob Simon; PBS interview show host Charlie Rose; Vicki Mabrey, from CBS' London bureau; and Carol Marin, formerly of Bryant Gumbel's short-lived "Public Eye" on CBS. Commentaries will come from Boston satirist Jimmy Tingle. Mike Wallace and the other stars of the Sunday night edition will show up on the clone in weekly updates of "classic" stories from the past 30 years.
The opportunity to return to in-depth, investigative reporting was enough to lure 67-year-old Rather back to the heavy travel schedule required for "60 II." In his first piece, airing tonight, Rather interviews Energy Secretary Bill Richardson about nuclear weapons built in Russia and sent to other nations.
"Why am I doing it? I love the news," the anchorman told TV critics gathered at the winter press previews. "I love covering news. I always have. I'll go to my grave loving it. Beyond that, I like to work. But you know, I'm still chasing the dream that I'm going to be a great reporter. And the opportunity to report on a program dedicated to quality is something I jumped at."
Rather will continue anchoring "CBS Nightly News" and hosting "48 Hours," a feat that "60 Minutes II" producer Jeff Fager calls "superhuman."
But Rather promised that he'll try not to "parachute into stories" _ to do the on-camera reporting after producers have done the real legwork. That practice, common among TV newsmagazines, was revealed in the wake of last summer's "CNN Newsstand" debacle.
"When you work on a program such as '60 Minutes,' sometimes you have to 'parachute in.' I don't like the phrase," said Rather. "If you spend a number of weeks on an investigative piece, then you're going to have to pay the price somewhere else. You're going to have to come up with a quick interview you can do in a hotel room in New York or you're going to have to show up somewhere and say to the producer, 'I'm here for six hours. I'll give you everything I've got, but you've got to put some things in my head.' There's no way to avoid it and I'm not going to kid you."
The difference between other news operations and the "60 Minutes" franchise, said Rather, "is we really care about the integrity of what we're doing."
Keeping a close eye on both "60's" is executive producer Don Hewitt, who still screens and critiques every story that runs on "60 Minutes" and will do the same for the second edition. He's known for his perfectionism - and his less-than-subtle comments.
"When the lights went on in the screening room after my first piece for '60 Minutes' was screened," Bob Simon recalled, "Don Hewitt said, 'The woman who you touted as your central character - I hate her. Get her out of the piece."'
Hewitt also told Simon his narration of the story "sounds like you were singing in the shower and got soap in your mouth."
"And that was just the beginning," said Simon. "When it was over, I was wandering through the corridor, looking for a window that opened more than two inches, and a senior producer came up to me and said, 'You know, Bob, that was a really good screening. When the lights go on and nobody says anything, that's when you're in trouble.' My personal wish for '60 Minutes II' is that every time the lights go on, producers will have something to say, even if it's only 'Get the soap out of your mouth."'
Stopwatch and scrutiny begins for crew of '60 Minutes II'.
All the trademark elements will be there when "60 Minutes II" debuts at 9 tonight on CBS (WBZ Ch.4): the ticking stopwatch, the older-than-average correspondent team, even the humorous essay at the end.
The format of the TV's longest-running newsmagazine wasn't broke, so nobody tried to fix it.
Dan Rather leads the rotation of veteran reporters: CBS foreign correspondent Bob Simon; PBS interview show host Charlie Rose; Vicki Mabrey, from CBS' London bureau; and Carol Marin, formerly of Bryant Gumbel's short-lived "Public Eye" on CBS. Commentaries will come from Boston satirist Jimmy Tingle. Mike Wallace and the other stars of the Sunday night edition will show up on the clone in weekly updates of "classic" stories from the past 30 years.
The opportunity to return to in-depth, investigative reporting was enough to lure 67-year-old Rather back to the heavy travel schedule required for "60 II." In his first piece, airing tonight, Rather interviews Energy Secretary Bill Richardson about nuclear weapons built in Russia and sent to other nations.
"Why am I doing it? I love the news," the anchorman told TV critics gathered at the winter press previews. "I love covering news. I always have. I'll go to my grave loving it. Beyond that, I like to work. But you know, I'm still chasing the dream that I'm going to be a great reporter. And the opportunity to report on a program dedicated to quality is something I jumped at."
Rather will continue anchoring "CBS Nightly News" and hosting "48 Hours," a feat that "60 Minutes II" producer Jeff Fager calls "superhuman."
But Rather promised that he'll try not to "parachute into stories" _ to do the on-camera reporting after producers have done the real legwork. That practice, common among TV newsmagazines, was revealed in the wake of last summer's "CNN Newsstand" debacle.
"When you work on a program such as '60 Minutes,' sometimes you have to 'parachute in.' I don't like the phrase," said Rather. "If you spend a number of weeks on an investigative piece, then you're going to have to pay the price somewhere else. You're going to have to come up with a quick interview you can do in a hotel room in New York or you're going to have to show up somewhere and say to the producer, 'I'm here for six hours. I'll give you everything I've got, but you've got to put some things in my head.' There's no way to avoid it and I'm not going to kid you."
The difference between other news operations and the "60 Minutes" franchise, said Rather, "is we really care about the integrity of what we're doing."
Keeping a close eye on both "60's" is executive producer Don Hewitt, who still screens and critiques every story that runs on "60 Minutes" and will do the same for the second edition. He's known for his perfectionism - and his less-than-subtle comments.
"When the lights went on in the screening room after my first piece for '60 Minutes' was screened," Bob Simon recalled, "Don Hewitt said, 'The woman who you touted as your central character - I hate her. Get her out of the piece."'
Hewitt also told Simon his narration of the story "sounds like you were singing in the shower and got soap in your mouth."
"And that was just the beginning," said Simon. "When it was over, I was wandering through the corridor, looking for a window that opened more than two inches, and a senior producer came up to me and said, 'You know, Bob, that was a really good screening. When the lights go on and nobody says anything, that's when you're in trouble.' My personal wish for '60 Minutes II' is that every time the lights go on, producers will have something to say, even if it's only 'Get the soap out of your mouth."'
Stopwatch and scrutiny begins for crew of '60 Minutes II'.
All the trademark elements will be there when "60 Minutes II" debuts at 9 tonight on CBS (WBZ Ch.4): the ticking stopwatch, the older-than-average correspondent team, even the humorous essay at the end.
The format of the TV's longest-running newsmagazine wasn't broke, so nobody tried to fix it.
Dan Rather leads the rotation of veteran reporters: CBS foreign correspondent Bob Simon; PBS interview show host Charlie Rose; Vicki Mabrey, from CBS' London bureau; and Carol Marin, formerly of Bryant Gumbel's short-lived "Public Eye" on CBS. Commentaries will come from Boston satirist Jimmy Tingle. Mike Wallace and the other stars of the Sunday night edition will show up on the clone in weekly updates of "classic" stories from the past 30 years.
The opportunity to return to in-depth, investigative reporting was enough to lure 67-year-old Rather back to the heavy travel schedule required for "60 II." In his first piece, airing tonight, Rather interviews Energy Secretary Bill Richardson about nuclear weapons built in Russia and sent to other nations.
"Why am I doing it? I love the news," the anchorman told TV critics gathered at the winter press previews. "I love covering news. I always have. I'll go to my grave loving it. Beyond that, I like to work. But you know, I'm still chasing the dream that I'm going to be a great reporter. And the opportunity to report on a program dedicated to quality is something I jumped at."
Rather will continue anchoring "CBS Nightly News" and hosting "48 Hours," a feat that "60 Minutes II" producer Jeff Fager calls "superhuman."
But Rather promised that he'll try not to "parachute into stories" _ to do the on-camera reporting after producers have done the real legwork. That practice, common among TV newsmagazines, was revealed in the wake of last summer's "CNN Newsstand" debacle.
"When you work on a program such as '60 Minutes,' sometimes you have to 'parachute in.' I don't like the phrase," said Rather. "If you spend a number of weeks on an investigative piece, then you're going to have to pay the price somewhere else. You're going to have to come up with a quick interview you can do in a hotel room in New York or you're going to have to show up somewhere and say to the producer, 'I'm here for six hours. I'll give you everything I've got, but you've got to put some things in my head.' There's no way to avoid it and I'm not going to kid you."
The difference between other news operations and the "60 Minutes" franchise, said Rather, "is we really care about the integrity of what we're doing."
Keeping a close eye on both "60's" is executive producer Don Hewitt, who still screens and critiques every story that runs on "60 Minutes" and will do the same for the second edition. He's known for his perfectionism - and his less-than-subtle comments.
"When the lights went on in the screening room after my first piece for '60 Minutes' was screened," Bob Simon recalled, "Don Hewitt said, 'The woman who you touted as your central character - I hate her. Get her out of the piece."'
Hewitt also told Simon his narration of the story "sounds like you were singing in the shower and got soap in your mouth."
"And that was just the beginning," said Simon. "When it was over, I was wandering through the corridor, looking for a window that opened more than two inches, and a senior producer came up to me and said, 'You know, Bob, that was a really good screening. When the lights go on and nobody says anything, that's when you're in trouble.' My personal wish for '60 Minutes II' is that every time the lights go on, producers will have something to say, even if it's only 'Get the soap out of your mouth."'